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Released
1997
Total Playing Time: 58:11
Available on CD or Cassette |
One
of Lee's most popular recordings, in 1997 Lee "finally"
included his arrangement of the popular Gordon Lightfoot song, The
Wreck of the Edmund Fitzgerald. Always looking for a chance
to give his songs accurate historical perspective, Lee joined this
contemporary folksong with a traditional song from an earlier era
in the Great Lakes iron ore trade, The Red Iron Ore.
[read
more] |
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Songs
(click
on mp3 links to hear short audio clips)
Deep Blue Horizon
[lee murdock] => [mp3, 104 Kb]
Hangin' Johnny [traditional]
The Longing That I Feel [lee murdock] => [mp3,
249 Kb]
The Stomach Robber [traditional]
Below Niagara Falls [traditional]
Voices Across the Water [lee murdock] => [mp3,
309 Kb]
We Have to Go Out [joe lincoln/lee murdock] => [mp3,
380 Kb]
Rio Grande [traditional]
The Mules That Walked the Fo'c's'le Deck [traditional]
Queen of the Beach [lee murdock]
Red Iron Ore/Wreck of the Edmund Fitzgerald [traditional/gordon
lightfoot]
Shenandore [traditional] => [mp3,
615 Kb]
Let the Lower Lights Be Burning [philip p bliss] => [mp3,
382 Kb] |
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Defying
popular wisdom, this combination of Red Iron Ore/Wreck of the Edmund
Fitzgerald is over nine minutes long, yet the song is regularly
played on public radio folk music shows, especially around the time
when the winds of November begin to blow each year. From the
CD liner notes, Lee writes:
These
two songs I have been singing together for seventeen years.
They go so well together because both of these vessels hauled
primarily iron ore. Both of these ships were considered
very seaworthy and both were the “pride of the line.”
The E. C. Roberts was a large schooner, the Ed Fitz a large steam-powered
straight-decker. In these songs, both were bound for Cleveland,
and one was sold for salvage and scrap after a long career on
freshwater, the other not so lucky, resting on the floor of Lake
Superior. The Red Iron Ore has been attributed
to “Billy” Clarke and written in the late nineteenth
century, and Gordon Lightfoot’s Wreck of the Edmund
Fitzgerald was a major pop-song hit from the middle
1970’s. As a matter of fact, there are still many
lake sailors who have very mixed feelings about the amazing popularity
of this shipwreck song.
The title cut
to this CD, Voices Across the Water, tells the story of
another twentieth century iron ore freighter, the Daniel J Morrell,
which was lost in Lake Huron in November, 1966. This freighter
broke in half while crossing the confused waters of Saginaw Bay
during a storm. Several seamen were able to make it to life
rafts, but the wreck happened so fast that there was no time to
radio for help, and it was 36 hours before the first life raft was
spotted. Amazingly, there was a sole survivor, Dennis Hale,
who lived to tell the story after braving the 34 degree temperatures,
wind and snow.
The Deep Blue
Horizon, is a preservationist's anthem written in the persona of
the Marblehead Light in Ohio. Lee's liner notes explain:
Dick
Moehl, president of the Great Lakes Lighthouse Keepers Association,
said to me two years ago that lighthouses are to North America
what castles are to Europe. The Marblehead Light was built
at the entrance to Sandusky Bay back in 1821, eight years after
Commodore Perry’s victory in the Battle of Lake Erie.
Her light has continued to shine up to the present making her
the oldest light on the Great Lakes. This year the U.S.
Coast Guard has put this light, along with sixteen others, up
for sale because of the expense for the upkeep of the grounds
and towers. They intend to maintain these lights shining
out over the lakes, but want to turn them over to local authorities
in a cost-cutting measure. With the advent of Loran and
Maptech, (computerized navigation charts with amazing resolution
carried on board many commercial vessels, which can give the exact
location of that vessel at anytime), one wonders if it is only
a matter of time until these lighthouses will go dark forever
in a cost cutting measure. I’m not sure I would want
to be out some dark night on the lake when my Maptech goes blank
with no “old fashioned” navigational aids to steer
by.
Also included
on this CD, four traditional shanties, salt-water work songs adapted
by Great Lakes seamen during the 19th century days of sail.
Lee found these songs in the Ivan Walton Collection of the Bentley
Historical Library at the University of Michigan. 88 songs
from the Walton Collection were recently compiled into a book, Windjammers:
Songs of the Great Lakes Sailors also available to order from
this site.
"Voices
Across the Water delivers a rich cargo of humor, pathos, imagery
and adventure to anyone who has ever dreamed of the shipboard
life. Murdock's supple baritone can embody many voices and
emotions: the longing of a lonely female lighthouse keeper, the
shock of a shipwreck victim awaiting rescue, the casual courage
of a U.S. Coast Guard. He even slaps a new coat of varnish on
faithful old barges like Shenandoah (here called by its variant
title Shenandore) and Gordon Lightfoot's Wreck of
the Edmund Fitzgerald. He can also explore the rougher seas
of a sailor's everyday lot, like no-star food aboard (The
Stomach Robber) and treacherous trollops ashore (Below
Niagara Falls). A rousing backing chorus and capstan percussion
on shanties like Rio Grande add an extra yo-heave-ho
to the effort.
Isthmus,
The Weekly Newspaper of Madison, WI Aug 1-7, 199
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